Tuesday, October 15, 2013

Last Tango at Edge Hill: Mass Observsations 2013

This is the last batch of Mass Observations from 2013. I hope you enjoy reading the different ways people have attended to this task (in different places).

Robert Sheppard

Professor of Poetry and Poetics

PL for Creative Writing MA





VERSE


Autumn leaves are falling

Winter is drawing in

The sun is low in the sky

Shining on my skin.

 
I watch the buildings around me

And the people walking in

Confusion on their faces

Don’t know where they have been

 
I see the young new fresher’s

And the ones that know it all

Only time will tell if their grades will

Rise or fall

 
I look over at the lake

At the ducks swimming by

The long reeds hide them

As they bop and play

 
I notice the red safety floats

Situated in the ground

I hope no drunken students

Jump in fooling around


The small golden leaves

Are now gathered at my feet

And as I move across the ground

They crinkle and retreat

They signify a regeneration

 Of the new life that we seek.

 

Rebecca Whittaker

 
 
YOU STAND

You stand by the wall, imagining that if you get close enough, you might merge with it.

They sit in herds and speak in tongues you've yet to understand. Their voices and their footsteps echo through the room.

Two men are on the other side of an outside glass wall, standing on a stage of concrete to entertain you. They're blasting away at the dirt on the pavement, cleaning it as much as they can. They fail. You're bored.

You watch two girls laughing, waving around their sandwiches. They feed off gossip and humiliation. You're full to the brim but thirsty.

Walking into the shop, you're met with too many options to choose from and you can hear their laughter from here. You turn back and watch as faceless, nameless students climb upwards, out of sight.


Alicia Beavis


 

 

 The Reeds Sway and Hiss

The reeds sway and hiss in the breeze. A duck buries it's head under the water, the constant flow moving it back and forth. Up and down, up and down. It's almost hypnotic. I feel dizzy. I move closer to the fountain, the slight wind brushing my hair against my face. The sun glistens, reflecting like sparks in the water. 

Students round the corner, enquiring about fancy dress costumes for the night ahead. I put my head back, close my eyes, and listen. A plane flies overhead. As the noise becomes a distant drone, a kind of whistling, or a low hum, I thought, I am struck by the calmness that suddenly befalls. 

I walk inside the building I had walk out of earlier, the metal stripped front and steps not exactly welcoming, but pretty nonetheless The far room, the room which had just minutes previously been filled with eager writers, was empty. I imagined then how it would be to stand here in the dark...in the silence, because now, although it is deserted, it isn't silent. The monotonous hum of the projector fills my ears. Somehow, it sounds much louder if you close your eyes, like the ringing noise you get after a night in a club or at a concert. Except this is oddly soothing, whereas the former stops me sleeping. 

Emma Clarke 

 

 

 They Enter

They enter and leave the shadows as they please.  A girl with the wind whipping around her floral print skirt, the breeze exposing even more of the black tights that cover her legs, passes with a hand tight on one strap of her rucksack.  She disappears into the shade of a building, its form old in comparison to that which stands opposite.

People around here seem lost, or, at the very least, lacking the confidence of familiarity.  One guy hovers around, his clothes dark like the shadow he stands in.  He covers himself more than the girl who passes him, her black summer dress decorated in delicate pink petals.  She shows a confidence in the way she walks that is matched by no other.  The lost guy takes a nervous glance at the map and seems transfixed, before moving off.  There is no direction in the way he walks.

There is no age here; people are not constrained to barriers that limit what passes the eye.  Hugging herself in a purple cardigan, a woman bearing the experience of at least 30 years talks with a crease in her brow.  The phone concealed in her hand passes from ear to ear as she fumbles around in her purse.  As she paces, she brushes past a man with a bulging waistline, his lilac shirt only attracting more attention to his figure.  He walks with a smile through the gaze of a couple, their hands seemingly forever interlocked.  The thick course of his stubble brushes her cheeks as they kiss.

Minutes slowly pass, and with eyes to the floor, more feet pass by.  Red converses and white Nikes, some newly-polished loafers on a man with a big stride, a pair of UG boots on a girl dressed for the chilling weather, a thick grey coat buttoned up to the top.  Their footfalls are quiet beneath the sound of chatter, the mixture of words clear.  It’s clear that the attraction to the campus passed much further than the scousers of Liverpool as three different accents drift off into the distance.

“So which uni did your boyfriend go to?”

The answer falls beneath the cry of the wind.  The two girls talking quickly disappear into the blend of students walking without expression to their various lectures.  The ‘early’ starts of eleven am take their toll on the many nursing hangovers.

Through the ruffle of the leaves, figures move disfigured through the sunlight.  They bring about the soothing call of the waves with every heavy exhalation of the wind.  Everyone around is oblivious to it.  They’re all too busy, even when alone.  It’s taken for granted, the peacefulness.

More people pass close by.  As they disappear off behind, the sun creates a halo in the blond tangle of a man’s hair.  They meet with two women pushing prams, although no contact is made.  The rolling wheels come closer as they scratch against the pavement, and I see that both women wear their hair the same way.  One is blonde, the other brunette, and they walk with the same confidence that their smart clothes exuberate.

The same sight is starting to irritate.  The details in the architecture are slowly becoming clearer.  It’s easier to notice things.  The red bricks seem off-colour in places, although with no pattern to its design.  There are streaks in some distant paintwork that blend in the light of the sun.  One could question the structure’s age when the campus is filled with the modern architecture of glass buildings.

The trees to the right form an archway, in a sense.  As summer has died, the leaves have already started to yellow, though some still retain their evergreen colour.  Others have taken on a burnt-orange tinge that seems golden in the sunlight.  The trees cast shadows over those who pass through, and ends in a patch of darkened shrubbery that bars further sight.

 
James Darvill

 

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